"In my opinion," remarked Kneebone, "it doesn't matter how soon society is rid of two such scoundrels; and if Blueskin dies by the rope, and Jonathan by the hand of violence, they'll meet the fate they merit. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. ‘Do you tell me that my disreputable son had the infernal insolence to pass you off as that whoring Frenchwoman’s daughter?’ His answer was in their faces. Manning’s proposal of marriage and finding she was thinking of the dance. "I am one. But though he made Blueskin and Kettleby his chief marks, he missed both. Kneebone's visit, Mrs.
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