Happened to be at the Chariot, you know, with Trodger, and it’s review day. “I am sure that you are. “Dear me, what a relief! If I had had any nerves that man would have trampled upon them long ago. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. He seemed to do ten things before she could think to do one, to leap upon her and take possession. Wood, in deploring his wild career, adverted to the melancholy condition to which it had reduced his mother. She wanted to stay where she was; but tears were dangerous; the more she wept, the weaker she would become defensively. Sir John filled his glass with trembling hand. “Annabel Pellissier is known to most of us. But then the features changed. I want to but I cannot! Please accept that!” She yelled. He hated the taste of it.
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