‘Many things he taught me. Disillusion stands in one doorway of our house and Mockery in the other. But with returning breath came returning vociferations; and the carpenter, with a faint hope of lessening the clamour by change of scene, took up his lantern, opened the door, and walked out. ‘Parbleu, you waste time. He then descended; and having induced Bess to take off some part of her clothing, he tore the gown and petticoat into shreds and twisted them into a sort of rope which he fastened to the lower bars of the window. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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