"What is all this, dear Winny?" inquired Thames, as soon as they were alone. Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. The easel and palette having been packed up, and the canvass carefully removed by Austin, the party took leave of the prisoner, who was so much abstracted that he scarcely noticed their departure. Once they were on the move, Kimble seemed to find strength from somewhere.
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