Were I a painter of subject pictures, I would exhaust all my skill in proportion and perspective and atmosphere upon the august seat of empire, I would present it gray and dignified and immense and respectable beyond any mere verbal description, and then, in vivid black and very small, I would put in those valiantly impertinent vans, squatting at the base of its altitudes and pouring out a swift, straggling rush of ominous little black objects, minute figures of determined women at war with the universe. "What poet was that?" "Stevenson. On this side stood the instruments with which the latter piece of pleasantry had been effected,—namely, a bucket filled with paint and a brush: on that was erected a trophy, consisting of a watchman's rattle, a laced hat, with the crown knocked out, and its place supplied by a lantern, a campaign wig saturated with punch, a torn steen-kirk and ruffles, some halfdozen staves, and a broken sword. Just as Jack gained the entrance, he heard a man's footstep behind him, and aware that the slightest indiscretion would betray him, he halted, uncertain what to do. ‘My name’s NOT More, Mr. —Jonathan Wild: August 31st, 1724. “Then you—you will?” A long pause. Prudence attacked her chicken wing. Women to me are something so serene, so fine, so feminine, and politics are so dusty, so sordid, so wearisome and quarrelsome. On the right, stood a bulky figure, with a broken rattle hanging out of his great-coat pocket, who held up a lantern to his battered countenance to prove to the spectators that both his orbs of vision were darkened: on the left, a meagre constable had divested himself of his shirt, to bind up with greater convenience a gaping cut in the arm. And I think also that Gosse—I mean that one who calls himself Valade—stole it.
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