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ToC At the beginning of the twelfth century,—whether in the reign of Henry the First, or Stephen is uncertain,—a fifth gate was added to the four principal entrances of the city of London; then, it is almost needless to say, surrounded by ramparts, moats, and other defences. She had first picked up the fiddle back when it was still called a viol, that was how long she had been at it. It ceased to be the symbol of liberty and a remote and quite abstracted person, and became suddenly and very disagreeably the token of a large and portentous body visible and tangible.
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