What a pity! For all her ignorance of material things—the human inventions which served the physical comforts of man—how much she knew about man himself! She had seen him bereft of all those spiritual props which permit man to walk on two feet instead of four—broken, without resilience. ‘He can’t be Valade, that’s certain,’ mused Gerald, unheeding. Her education was remarkable in that it was overdeveloped here and underdeveloped there: the woman of thirty and the child of ten were always getting in each other's way. Water soaked her through in five minutes. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Aside from some loose coin and a trunk key, there was nothing in the pockets: no mail, no letter of credit, not even a tailor's label.
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