" And before she could be prevented, she lifted up the cloth, and disclosed Shotbolt. ’ ‘I thought so,’ Gerald said with satisfaction. “I love you, Ann Veronica. I’m not such a bad sort. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Inside was Anna, leaning a little forward to watch the passers-by, bright-eyed, full to the brim of the insatiable curiosity of youth—the desire to understand and appreciate this new world in which she found herself. Even the light was different in Athens, soft and golden, sweet as the morning dew blessed by Athena herself. I’ve never seen her quite so sure of herself.
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