"At my first being acquainted with the place," says this writer, in the 'Miseries of a Prison,' "the prisoners, methought, walking up and down the Stone Hall, looked like so many wrecks upon the sea. " "I've been wondering, too. Oh! that I should have nursed such a viper!" "Hear me, Sir," said Jack. But he can't have his eyes always about him, or he'd have been with us this morning at the Mint, eh, Mr. “I am afraid—I really think that one of us ought to go with you,” he said. E. "You've ruined my hopes. He, who had faced the gale, would have been instantly stifled. I tore the marriage certificate from his pocket and burnt it. It was a dismal and depressing sight to see a great city thus suddenly overthrown; and the carpenter was deeply moved by the spectacle. Here was Ruth Enschede—sick of love! Love—something the world would always keep hidden from her, at least human love. “Well, my girl, I wish you had thought about all these things before these bothers began. ” He did not move. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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