One studies Nature in order not to be blindly ruled by her. The name of this damsel was Edgeworth Bess; and, as her fascinations will not, perhaps, be found to be without some influence upon the future fortunes of her boyish admirer, we have thought it worth while to be thus particular in describing them. She had delicate oval features, light, laughing blue eyes, a pretty nez retroussé, (why have we not the term, since we have the best specimens of the feature?) teeth of pearly whiteness, and a brilliant complexion, set off by rich auburn hair, a very white neck and shoulders,—the latter, perhaps, a trifle too much exposed. Goopes down on him with the lesson Titian teaches so beautifully in his “Sacred and Profane Love,” and became quite eloquent upon the impossibility of any deception in the former. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance.
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